Actions + Structures
October 9 - February 25, 2022
Vito Acconci, William Anastasi, Laurie Anderson, Dove Bradshaw, Jonathan Borofsky, John Cage, John Cale & Joseph Kosuth, Buckminster Fuller, Ann Hamilton, Jean-Pierre Hébert, Diane Landry, Sol Lewitt, Tom Marioni, Matt Mullican, Bruce Nauman, Nam June Paik, Alan Rath, Erwin Redl, Haim Steinbach, TODT, USCO, Hannah Wilke
Erwin Redl, Reflections v2 (2 small rings), 2019 Networked light panels with programmable RGBW-LEDs, custom electronics, and stainless-steel frame, Varied light sequences for each edition, Edition of 10, 12 x 12 x 4 inches, each
John Cage, Essay Tokyo, 1986, Etching on paper, Edition of 40, 37/40, 25 x 18.5 inches, 28.5 x 22 inches
Alan Rath, 3 O’Clock, 1991, Aluminum, custom electronics, CRTs, 48 x 18 x 12 inches
Buckminster Fuller Triad Series, 1. 6 Part Push/Pull Tensegrity, 1979, Stainless Steel rods and tendons, Signed on strut, 24-inch / 61 cm diameter, Edition of 10, 2. Twelve Degrees of Freedom, 1980, Stainless Steel rods, tendons, and ball, Signed on strut, 25 x 25 x 25 inches, 63.5 x 63.5 x 63.5 cm, Edition of 10, 3. 90 Strut Tensegrity Dome, 1979, 9” Stainless Steel polished and stainless wire tendons, Series #5 / 5, signed on strut with 12 degrees freedom demo model, 21-inch / 53.3 cm diameter, Edition of 10
Tom Marioni, Drum Brush Drawing, 2001, Steel on sand paper, 34 ½ x 40 ½ inches, paper size, 39 ¼ x 46 inches, framed
Diane Landry, Privilèges, 2006, leaflet with automation, dictionary, transferred photos, engine, table, wood, motion detector, 57 x 31 ½ x 22 inches
William Anastasi, Subway Drawing, (Thomas McEvilley 3.22.12), 2012, Graphite on paper, Paper: 7 ¾ x 11 ¼ inches, Frame:14 ½ x 17 ½ inches
William Anastasi, Subway Drawing, (11.29.12 1097 > 8th Ave 59 St mid), 2012, Graphite on paper, Paper: 7 ¾ x 11 ¼ inches, Frame:14 ½ x 17 ½ inches
Dove Bradshaw, Contingency, 2015, silver, liver of sulfur, varnish on linen, 17 x 14 inches
Dove Bradshaw, Contingency, 2015, silver, liver of sulfur, varnish on linen, 17 x 14 inches
Tom Marioni, Golden Rectangle, 1986, Copper, 24 x 15 inches
Hannah Wilke, Untitled, c. 1970, red latex, metal, plastic, mounted on painted wood, 21 x 24 ½ x 6 ¾ inches
Hannah Wilke, Chewing Gum Sculpture, 1979, Chewing gum, Paper size: 2.5 x 2.5 inches, Framed: 8.25 x 8 inches
Vito Acconci, Ready-to-Wear Music Box, 1994, Clear vinyl, Velcro, thirty 18-note Reuge music box mechanisms, Edition of 12, Published by Carl Solway Gallery for The Music Box Project
Laurie Anderson, Tilt #1, 1994, Wood, plastic, two 18-note Reige music box mechanisms, 2 3/8 x 30 x 1 ¼ inches
Jonathan Borofsky, White Christmas for Music Box and Voice (Forwards and Backwards), 1994, Case, two Olympus mini cassette recorders, Original cassette by the artist, two 50-note Reuge mechanisms, Edition of 6, 6/6, Case: 17 ½ x 14 x 5 ½ inches, Base: 17 ½ x 11 3/8 x 1 ¾ inches
John Cale and Joseph Kosuth, Untitled (1971), Balzac’s Solitude, 1994, Leather bound book, one 144-note Reuge mechanism, Edition of 12, 14 2/8 x 8 ½ x 3 5/8 inches
John Cale and Joseph Kosuth, Untitled (1971), Balzac’s Solitude, 1994, Leather bound book, one 144-note Reuge mechanism, Edition of 12, 14 2/8 x 8 ½ x 3 5/8 inches
Sol Lewitt, Untitled, 1969, AP 2/5, 11 7/8 x 17 5/8 x 5 7/8 inches
Diane Landry, Solo Knight III (sand), 2015, mural with automation bicycle wheels, plastic water bottles, sand, LED, aluminum, motor, gear, ball bearing, 53 in. diameter x 14 in. (depth)
Haim Steinbach, Untitled (music box do re sequence), 1994, Stainless steel, stainless steel weights, two 18-note Reige mechanisms, Edition of 12, 7 ¼ x 3 ¾ x 2 7/8 inches
Alan Rath, Looker, 1990 Aluminum, acrylic, custom electronics, CRTs, Approx. 11 x 15 x 25 inches
Alan Rath, She Guitar, 1996 Aluminum, custom electronics, speakers, 56 x 33 x 7 inches
USCO, Counting, 2002, Electronics and aluminum, 6 x 8 3/8 x 5 ¼ inches, each
Matt Mullican, Untitled, 1993, A portfolio of ten screenprints and 64 etchings (48 on display) based on twenty years of notebooks, Signed and numbered by the artist, Edition of 32, 9/32, Screenprints: each 29 1/2 x 21 1/2 inches, Published by Carl Solway Gallery
Matt Mullican, Untitled, 1993, A portfolio of ten screenprints and 64 etchings (48 on display) based on twenty years of notebooks, Signed and numbered by the artist, Edition of 32, 9/32, Screenprints: each 29 1/2 x 21 1/2 inches, Published by Carl Solway Gallery
Matt Mullican, Untitled, 1993, Etching, 14 3/4 x 11 inches
Matt Mullican, Untitled, 1993, Etching, 14 3/4 x 11 inches
TODT, Eye Tower, 1994, Aluminum, kodalith, neon, glass, Edition of 9, 52.5 x 12 x 12 inches
Ann Hamilton, furrow, crease, part, 1999, Iris print on Arches Cover Paper, Image: 11 x 17 inches, Paper: 34 x 27 inches, Frame: 36 x 29 inches
Alan Rath, Triple Tongue Tree Too, 2011, aluminum, FR-4, polyethylene, silicone, custom electronics, LCDs, 63 x 42 x 22 inches
John Cage, Not Wanting to Say Anything About Marcel Plexigram IV, 1969, 8 panels of Plexiglas each in a walnut base, 14.5 x 24 x 14.5 inches
John Cage and Joseph Beuys, Untitled from Good Morning Mr. Orwell Portfolio, 1983, Silkscreen on paper, Edition of 250, 17/250, 30 x 22 inches
Nam June Paik, Untitled (John and Merce), Screenprint with pastel drawing, 22 x 26 3/8 inches, paper size, 27 x 31 ¼ inches, framed
John Cage, Buckminster Fuller, Mesostics, 1975, Ink and pencil on musical notation paper, 17 5/8 x 12 1/8 inches, paper size, 25 x 20 inches, framed
Nam June Paik and Allen Ginsberg, From Good Morning Mr. Orwell Portfolio (front), 1983, Two- sided print, Silkscreen on paper, Edition of 250, 29/250, 21 x 29 inches, paper size, 25 1/2 x 33 1/4 inches, framed
Nam June Paik and Allen Ginsberg, From Good Morning Mr. Orwell Portfolio (back), 1983 Two- sided print, Silkscreen on paper, Edition of 250, 29/250, 21 x 29 inches, paper size, 25 1/2 x 33 1/4 inches, framed
Bruce Nauman, Study for a Hologram: Hand Pinching Lips (Plate 1), 1970, Silkscreen, Edition of 150, 143/150, 26 x 26 inches
Jean-Pierre Hébert, Outcome for a Palette of Change, (Blacks and Reds), 2015, Digital drawing – Pigment ink on paper, mounted on aluminum, Paper size: 45 x 22 inches, Frame size: 49.75 x 24.75 inches
Jean-Pierre Hébert, Outcome for a Palette of Change, (Blacks and Reds) (detail)